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  • Participants who regularly go out in the community

    89%

  • Hours spent in the community

    20,000

  • Volunteers

    125

  • Program Participants

    300

Founded in 1948, The Arc of Philadelphia, through its volunteer board, staff and membership has led the way in protecting the rights of and promoting opportunities for children and adults with disabilities by advocating with and for all children and adults with intellectual and developmental disabilities and their families to promote active citizenship, self-determination and full inclusion. The Arc of Philadelphia affiliated with The Arc of Pennsylvania and The Arc of the United States and is a member of the SpArc Philadelphia family of organizations.

The Arc of Philadelphia’s mission is to advocate with and for all children and adults with intellectual and developmental disabilities and their families, to promote active citizenship, self-determination, and full inclusion.

 

The Rights of People with Cognitive Disabilities to Technology and Information Access

People with cognitive disabilities have an equal right to technology and information access. A coalition of disability organizations and individuals asserted this right in a formal declaration, announced at the Thirteenth Annual Coleman Institute National Conference on Cognitive Disability and Technology, held October 2, 2013, in Broomfield, Colorado.

We invite all of you to read this declaration, The Rights of People with Cognitive Disabilities to Technology and Information Access, and to affirm your commitment to the equal rights of people with cognitive disabilities to technology and information access by endorsing it on the website.

 

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Portrait of an Artist: Billy

Portrait of an Artist: Billy

The Cultural Arts program at SpArc Services is thrilled to be using its studio space and Marketplace at Cherry Street Pier. SpArc program participants can benefit from the resources of a professional studio to further their art. Billy is a participant who has enjoyed residency in the studio.

In this essay, Cultural Arts staff member Fred Henzel takes us inside Billy’s process of creating art, and how using the studio helped advance his art.  

Billy was our September 2020 Artist of the Month! Check out his featured pieces on SpArc Marketplace

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For several weeks, Billy came to the Cherry Street Pier Studio every Tuesday and Thursday and spent several hours here each time. During his visits, I saw his work really come alive. I always knew Billy to be a talented and dedicated artist, but I think being in this professional studio environment--with all the tools he needed and zero distractions-- helped him reach a new level.

He started every day with quick sketches. Using an easel and paper pads, he would warm up his arm by making swooping gestures, which were recorded on the page by crayon or charcoal in his hand. His marks accumulated and formed his now-familiar pinform shape. He also began drawing horseshoes.

Next he moved on to either mixed media or painting. Billy would gather a wide range of art materials and combine them in interesting ways. He would do a drawing in crayon, then cover the page with a wash, plunging his forms into colorful skies or oceans. Or he would grab a canvas and first lay down a ground of solid color, then either let it dry before proceeding or begin working shapes directly into the field of color.

Billy completed the above series over the course of two days. He worked on all four pieces simultaneously, giving each an equal amount of attention before moving on to the next. After establishing a ground and some more general shapes on the first day, he came back the second and without hesitation threw down bold shapes on top. 

In one piece, he had originally painted what looked like a passage or hallway. When he returned to it, he suddenly began painting a dark arch-like shape with a very particular series of gestures. He would repeat these marks, rub out mistakes and do them over until they were exactly to his liking. The result is like a window into his mind.

Since Billy is nonverbal, it can often be hard for me to understand what he is thinking. However, as I helped him get the resources he needed for his art, I saw that he was revealing parts of his mind that words cannot express. Looking at his work is sometimes like peering into an unknowable abyss or gazing at an ineffable shape. However, each piece is distinctly and recognizably Billy.